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HIGH COMMISSIONER
 HAZ
500  
HAZ 500V
High Commissioner grabs the audience like a summer
night’s windstorm in the suction of an underground-train
running through the station. It sucks on the suits
spending such a refreshing and evoking chill that
one just has to wonder about this surplus of liveliness
in the middle of the tracks of the system. Morocco
Slesina is winding the biomechanical striking mechanism
like a stoned android under Jean Geilers fluttering
organ-wings; the rocking bass gloomily argues over
the Kraut like a raven taking revenge at the “upper”
ten thousand – wild, resentful and insubordinate.
Hallucinating electric guitars pad the long march
through the cascades of melodies, divulging an agitated
melancholy, and, cherishing themselves in doing
so. And beyond the whole ensemble Sascha Beck proclaims
the new order, a brain of roses daring to betake
itself to flight. Low 500 celebrate their Pre-Post-Punk
with the innocence of embryos who stray amidst the
flickering ghost lights of Anglo-German music traditions
cristalizing into an atomizing kaleidoscope of sound.
Are they allowed to do that? “It doesn’t
matter. Call the police!” |
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LINEUP
ON "HIGH COMMISSIONER":
Sascha Beck - Lead Vocals, Guitar, Choir
York Bandow - Electric Guitar, Choir
Vincent Spielmann - Electric Bassguitar, Backing
Vocals, Choir
Jean Geiler - Piano, Analog Synthesizer, Clavinet
Marokko Slesina - Drums, Triangle
All songs recorded, mixed and
produced by Kaneoka One and Two Horses at Hazelwood
Studios Frankfurt, Germany. |
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contains:
- Biography & Info
- 2 Hi-Res Pictures
- Actual Hi-Res Albumcover
- 2 MP3 Files |
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